Sunday, October 25, 2020

End of an Era

This is the last post on my blogger site - i-sew.blogspot.com.
Future blog posts are now housed on my website at:
karinmillson.com
Simply click Blog to see new blog posts....

(Old blog posts can be accessed by clicking Blog Archives from the new blog).

Thanks for following me over the years and I hope you will continue to follow me on the new blog.
Please subscribe to the new blog to get blog posts straight to your inbox.
 karin

Thursday, October 31, 2019

This is a Great Show, don't miss it.

Melanie Thompson has a show at the Saltspring Gallery.  It isn't going to be up for long... so do get to see it soon.  It is a pleasure an easy on the eyes roomful of sculptural forms that invite you to pay attention to the shadows that are created.  Above is one of my favourites, but you can see more if you go to Melanie's Instagram site.

Wednesday, October 30, 2019

Ledger of Thoughts is for sale online

I have just learnt that Ledger is for sale online.
Dimensions are given under Additional Information.  It is a good size.
Check out the link - with 3 views of the piece at HERE

Tuesday, October 29, 2019

Thank you Viewers

Please see the winners of the National Art Prize.
Go here to see images of the finalists' work. then click on  Winner to see the winning pieces and hover over an image to see more information.

The winners of the Parallel Show of which I was a part are also online.
I am happy to be a recipient of the 2nd People's Choice award ie., second place.
The works will all go on show again soon.  More information will follow.

Ledger of Thoughts (my favourite side view, detail)
Karin Millson 2019

Congratulation too to the Youthful exhibitors and the winners of the Youth Show

Tuesday, September 24, 2019

It's Happening - SSNAP and the Parallel Show


Come and see the Parallel Show, featuring artists from The Gulf Islands, District 64.
I am so pleased to be showing alongside the talented artists that have been selected for this show.
It must have been very difficult to make the juried selection and keep within the gallery's space constraints.
I hope we get to see the other fabulous art submitted to SSNAP and the Parallel show in due course.

See you at the opening this Friday - or when I am sitting the show - which I love to do, to hear your comments.

Also note that the main SSNAP is now open and is a stunning collection of super high quality works by younger to older artists from across all Canadian cultures, including lots of fibre related pieces, beading, weaving, embroidery, wool work! and more....
All great reasons to make a trip to Saltspring Island.

Wednesday, September 11, 2019

Thanks for your support - Jane.

I am getting a lot of support from friends and family. I give thanks for that.
This time it was a generous gift of ends of spools from Jane Stafford.
Imagine my happiness to discover this Aladdin's Cave of threads available on my doorstep - a half an hour's drive north, on the island.
Jane wants to empty the spools / I want a selection of coloured threads for my next knotted piece of art.
A marriage made in heaven.  How clever of Jane to propose it.
Thanks again Jane.

The Institute for Canadian Citizenship has given me some ideas for colour combinations.
I don't want to get into trouble for illustrating this blog entry with their logos... do go here to learn about all their good works.
https://www.inclusion.ca/about/

My works recently are about thoughts and connectivity, particularly across cultures
I certainly won't be using their (probably copyrighted) colour choices, but the concept of using colours for suggesting diversity is clearly sound.
Whilst searching about on the Institute's website I learnt about the LaFontaine-Baldwin Lectures ( since 2000) and am now listening to them (online).  What a gift too.

Showing work with Printmakers of the Saltspring Painters' Guild

 I showed two small pieces.  Just an extension of the work I often do on paper, as studies for the works created in mixed media and fibre.
Voyage #1 Paper, Multiple Monoprinting and resists
Karin Millson 2019

 Voyage #2 Paper, Multiple Monoprinting, collage and resists using upcycled Tectronic Ink
                                                      Karin Millson 2019


"I hope that you had a chance to see our recent show at the library. As always, the calibre of the pieces was excellent. I heard many positive remarks about the show. I was impressed at the many interested people at our pop up sale that asked many interesting questions about the techniques and processes of printmaking."  Johanna Hoskins

If you are interested, the group meets at Artspring, Saltspring Island and the next (fall) dates are - September 17th (next Tuesday); Tuesday, October 22nd and November 26th.  Email me (or comment) if you want more information.

Saltspring National Arts Prize - Parallel Show - Ledger of Thoughts, accepted.

Photo Credit Seth Berkowitz
Ledger of Thoughts (Detail) 2019
Artist Karin Millson

Happy to acknowledge the jurors of the Parallel Show Quentin Harris and Celia Duthie.
Ledger of Thoughts has been selected to show alongside some 50 Gulf Island Artists in the Parallel show.
I am thrilled and humbled.

More details on the show, opening, and talks etc to follow.
Also on the SSNAP show which is coming soon. Check here for details NOW.




Wednesday, April 10, 2019

IN/FROM/OF - THE FOREST


Mixed media work by Karin Millson will be on show in ArtSpring’s lobby for the month of May.  Karin invited Bernadette Mertens-McAllister to show alongside her.
In Karin’s FIBRE CYCLE: A SERIES we are invited to walk through stands of assorted trees, take in views to the sea, intimately observe deeply-grooved and sculptured bark.  The pieces demonstrate the fibre cycle, from strong, tall tree growth, through logged and split lumber, to the recycling of paper and back to the growth of healthy woodland.
There are oblique references: a telegraph pole with coloured wire and staples, holding remnants of shows long past; and finally, you are invited to add your chewing gum deposit before entering the theatre.

 “HEART GROVE SERIES” by Bernadette Mertens-McAllister uses mixed media and an unconventional use of paint and photography.  The artist expresses her feelings caused by human greed, negligence and disrespectful practices of forestry. By using art material in an insulting and abusive way Bernadette expresses her grief, confusion and fear    



Such is the demand for exhibition space at ArtSpring on Saltspring Island that I have had this space booked for more than two years.
I cannot believe that that is how long we have lived on this fabulous, art-enriched place.  I am thankful for whatever cause it was that brought us here be it fate, planning, luck, or the west wind.  One thing is certain, in this environment I am supported and strengthened and my art has the opportunity of developing.

This latest exhibition explores..... well, here is my artist statement, and that of my accompanying artist collaborator... Bernadette Martens Mcallister.

Artist: Karin Millson
 FIBRE CYCLE: A SERIES
This body of work demonstrates a mental struggle that I have.  I want to be an environmentally responsible person living respectfully on this planet yet I know that I cannot but have a devastating effect on my immediate surroundings simply by being.
In this series of works, I attempt to depict what I see, feel and think when I take a forest walk, as I acknowledge that forests exist alongside humankind as part of a cycle of fibre – from wood comes lumber, from lumber comes paper, from paper comes compost, in compost grow saplings and so on.
The artworks are made of predominantly up-cycled materials.  The methods are as eco-friendly as I could make them, yet this collection forms part of the cycle and the conflict itself.

Artist: Bernadette Mertens-McAllister
 “HEART GROVE SERIES”
This body of work is dedicated to a small cluster of magnificent cedar and fir trees that are being clear-cut for lumber.  It is a special place nested in a 45 acres lot on Beddis Rd, Salt Spring Island.  Beneath the towering trees, I found a large heart on the ground made of boughs covered with moss.  I call this place Heart Grove.  When standing there, one is connected with Nature, the trees and the forest.
This series is about grieving for the Heart Grove and all our forests doomed to be greedily clear-cut. Like any clear-cutting practice, my art displayed here seems to be done with negligence, disrespect and lack of beauty. It expresses my confusion and fear every time I hear the harassing noise of the chain-saw a breath away from my doorstep.
Forgiveness and a realisation that all is impermanent will carry me through these months of devastation.  I hope and wish that this secret and sacred place, I call Heart Grove, will remain intact for all of us.

Wednesday, October 3, 2018

Getting Knotted

It is with pleasure that I continue to tie knots whilst reflecting on the day.  Very quickly my headspace moves to one of serene contemplation.  Based on the Rosary Knot those shown contain only a double twist.  Why the computer keyboard background?  So that you would ask "Why the computer keyboard background?"..... This piece of work holds a question for me: what do the thoughts of a day look like and how can artificial intelligence come close to, or surpass, that complexity of thought processing and storage?

Wednesday, August 1, 2018

Taking Down The Show Tonight

Below are some images from my show with Ilse Leader
Driftwood of the Mind

The Salt Spring Gallery was excited to show Memory Hive again and it stimulated many an interesting conversation, not just about memory but many ageing related topics, general biology, art and science matters.

Some of the pieces that I showed were older but there were an equal number of new creatures (30 pieces in total, like the little snail and the spiky bangle-shaped creature mid shot above.

This delightful young woman was a breath of fresh air - I hope to work with her on another project shortly.

Ilse's daughter donated this piece of driftwood on which my miniatures were displayed.

This one named for Joan Radven - Vesparum Perterget radvenii, from the Latin meaning Raven's wasp with brushes (or eyelashes.... reminds me of you Joan)...
I think the show was successful Ilse and I both sold works.  And tonight I hope to get a photo of Ilse and me at the show and find out how many footfalls we attracted.
Thanks to everyone who supported us in this venture, especially Ilse for inviting me to join her in the space.







Thursday, July 19, 2018

Gemstar

In another parallel universe I am working on a theatre production.
Here is my latest - a mock up for a 2' x 5' vinyl banner for a scientific research group call Gemstar.
I learnt to use Photoshop with my son years ago  - and I'm still learning.

Probably this item needs to be supplied as an Illustrator file... so the learning curve continues.
Anyway here it is for perusal and comment only.



Vectors by Vecteezy!

Wednesday, July 11, 2018

Such a Relief

It has been months since I could access the photos neither those on my darling Olympus OMII (- you know the one.. it look like it uses film. And should be on a film set circa 1950..... Oh dear, its sensor got zapped and when I was trying to photograph the Transporter Bridge in Squamish I got lines over the image....
nor those stored on Aperture we have been locked out of that software for weeks....

Oh happy day - today we found that the fabulous John has solved the issue after many reloads.  And an attempt to switch to Lightroom... which we will have to do.

I mention this here because without access to my images I wouldn't have been able to build this didactic for the show.  I hope it explains for all and sundry what I get up to in order to create my creatures.... (maybe  you will have to click on it to enlarge and maybe it will be legible then??)  I think this will make a good blog entry for Evolution of Moral Progress, so I had better put it up there too......


Tuesday, July 10, 2018

Invitation to Meet Curious Creatures

I am so fortunate to have been invited to show alongside Salt Spring Gallery Member Ilse Leader.
The gallery (and artists' collective) does fabulous work for the community including fund-raising for those in need.
In my case I am an invited artist showing my shibori-based textile art along with Ilse's fabulous weave/felt/fabrics, clothing and three dimensional constructions.
My work will include some 30 nudibranchs or creatures based on marine slugs!!!!!!!  I just love them. Also a showing of Memory Hive.
Both Ilse and I feel very connected to the sea, both of us having lived most of our lives by the seas of the world and now we are connected by our fibre art too.

I hope you can make it to the gallery on Friday 13th  (yikes!) July, the show is on for 3 weeks.
And if you can' make the opening maybe consider coming over to the Artists' Island of Saltspring for the Fibre Fair.

Tuesday, June 26, 2018

I'm a proponent of cultural appropriation in art - How politically incorrect is that?

I'm thinking of using knotting in a piece of work, researching Quipu and thinking about the political correctness of avoiding cultural appropriation in art. Cultural appropriation is a thorny issue, one I have been made keenly aware of in Canada. I hold in my heart regret for those whose culture has been appropriated whilst under colonial rule, or subjected to an imbalance of power.  This is not what I am involved in here.

Quipu are best known from the now lost civilization of S. America, but also from China and Hawaii... and thought to be a method of recording data, stories and double-entry accountancy.  Who would have thought that when researching for a mixed media/fibre art work I would need to read from The Accounting Historians' Journal?

Is cultural appropriation a bad thing?
Though the word appropriation has negative connotations, I argue that cultural appropriation can be a work for good.
Where would we be, I wonder, if no-one had picked up the idea of making marks on a cave wall and run with it?... Hmmm? (The latter remark to be said with a James Keziah Delaney intonation), to lighten the mood a little).
This, below, from Wikipedia (of course) says the same thing, a view expressing when cultural appropriation might be seen as a positive activity...

"A different view of cultural appropriation characterizes critics of the practice as "engaged in a deeply conservative project: one which first seeks to preserve in formaldehyde the content of an established culture and second tries to prevent others from interacting with that culture"   Proponents of cultural appropriation view it as often benign or mutually beneficial, citing mutation, product diversity, technological diffusion and cultural empathy as among its benefits."

I would add the word  progress to this list.
I can imagine a world where Quipu continues to be created in its original form as a tribute to the now, lost civilizations that practiced it in South America and others eg., China and Hawaii.  Alongside this I would advocate its progress and development in the same way I work with Trapunto (Italian), Shibori (Japanese) and Shisha (India) and other techniques that are traditionally associated with a specific culture (see names in parentheses), where I have studies the traditional form, and then moved it to a new and innovative use.

Please do comment as this is an area I would like to continue thinking about.

Tuesday, June 19, 2018

Working towards a show with Ilse Leader

"Slow-Stitch - Snail Shibori”

Materials: Fabrics, dye, wire.
Techniques incorporate: Shibori and a deep affection for the colour blue.


After encouragement and an invitation from Ilse Leader, I am joining her and showing works in the latter part of July, on Saltspring Island.
Blog link to follow shortly.
This little guy, is based on an amalgamation of memories from diving in the Gulf of Oman, researching the most fabulous of creatures (Nudibranchs) after Foraminifera who as single-celled sure take the biscuit, and walks along the SW shores of England... the Jurassic coast!
It was 'put together' after spending a morning of art-talk with Ilse and finding a light bulb had gone on.

More on this soon.


Wednesday, June 6, 2018

Teaching at Gulf Island Secondary School

The Gulf Island Secondary School (GISS) has a fabulous reputation... check out District 64's school on Saltspring Island.
I was lucky enough to be given the opportunity to teach 3 days this week, during the Flex Period when students get to actually choose what to do.....
After meeting many None-Schooled and Home-Schooled kids recently I have learnt that many people prefer to have their children choose what to study as opposed to study via a hard and fast curriculum. I liked what I heard.
GISS appears to be walking the middle road in this.

My workshop followed on from the lecture "Paper to Puppetry, Shibori just Doesn't Cover It".
I gave a presentation and showed a video on Day 1 and the students had time to create paper arashi shibori sculptures.
Day 2 they formed shibori surfaces in synthetic fabrics and these were steamed.
Day 3 the students took the surfaces and either embellished them with stitch and beading or formed them into three dimensional beings.

It was a pleasure to share my knowledge with these enthusiastic Grade 9-12 students.
Here are some more photos.

Tuesday, May 29, 2018

Thank you to my dear friend.

What a wonderful gift:-
So excited to discover I had a letter to collect from the Post Office in Fulford.
It was no letter, it was a beautifully packaged selection of silk fabrics from Japan.
The burgundy one is more or less flat.  The orange and red one is still puckered from the tiny little shibori bundles tied prior to dyeing.  And the second parcel is of pieces of fabric, one printed and one ?dyed by a method I do not know.
Lots to learn about, lots to share.
I am teaching a high school class, at Gulf Island Secondary School, next week.
So I will take these fabulous reference materials in for them to share the joy!  and these fabrics will give me so much pleasure from here on in.

Thanks again to you darling people with big hearts.  I mention no names for fear of causing embarrassment, but do not underestimate the gratitude I feel. xx

Sunday, April 22, 2018

Presentation at Mahon Hall

News - Workshop Sold Out
Sorry there are now no places on the workshop.
If you are interested in a subsequent presentation of this workshop please message me.
Looks like it will be repeated, so you too can be there!
Thanks.

Come and hear the presentation (instead).
Saltspring Island - this Thursday evening , 6:30 details below.

Thursday, February 22, 2018

Sewing Machine Abuse and How to Stitch in Thin Air

A 3-Day Workshop 
On Saltspring Island, British Columbia
With Karin Millson
This course is suitable for all skill levels


When: April  27, 28 and 29th
Where:  Mahon Hall
Time: 10 – 4  (1 hour lunch break)
Cost: $290 + Booking fees
Materials List will be supplied

Maximum class-size 12

TO REGISTER VIA EVENTBRITE
CLICK HERE 
SALES OPEN FROM 3PM 22ND  FEBRUARY
Examples of what you will learn
Have you ever thought :
“How do I get this sewing machine to sew how I want it to?” 
or even, 
“How can a sewing machine sew in space?”

Sign up for this workshop with Karin, and you will learn how to do these things and more. Karin likes to challenge the instruction manual.  She will teach you the rules and then how to wilfully break them.
Judicious use of sewing machine needle types allows challenging threads can be worked concurrently.  Here thick DMC crochet cotton with fine metallic machine hread

Join Karin and you will be able to make your machine stitch in ways you didn't know were possible, with threads that you would have thought were of no use to a sewing machine and on surfaces that one doesn't naturally think of as sewing machine fabric.  You will use the machine as an art tool.
Machine stitching on multiple layers of ironed bubblewrap

One participant’s partner remarked “Honey, I think there is something wrong with your sewing machine” after he was surprised by the textural stitches that had been produced during the class.  

In fact there was nothing wrong with the machine and the course participant was able to make adjustments, at will, to create flat stitches, even stitches and looped stitches in patterns and shapes that were not even in the instruction manual and she could even make stitches in thin air.
And so she had learnt how a sewing machine sews in space.

During the workshop you will also be encouraged to make marks on white fabric in an innovative and non-intimidating way:-
-: and then mimic those shapes, lines and visual textures with the new stitch techniques that you learn.
Black, white and silver drawing, mimicked in varied machine stitchery on organza, paper and metal
with some machining in free space
-----------------------------------------------

FAQs
Do I need to bring my sewing machine? 
Since this class is based heavily on the use of a sewing machine, participants need to bring a machine that is suitable (see below)
Karin has 2 such machines available for use in the class.  Email her at ioftheneedle@me.com to book one.

Exploiting the possibility of changing tension settings to create looping and dotted stitches

Can my machine do this?

If your machine can do the following it will be suitable, I will teach the less experienced how to do these things:-
The type of machine that is optimum (though others are suitable) for the studies is a basic, mechanical, sewing machine.  The ability to do zig zag, free motion, vary both stitch length and width at will and easily adjust top and bottom tensions (a vertically loaded lower bobbin is usually the best, but other machines can be accommodated) are required.  If you are new to free motion stitching, please contact me (details below).  Even a machine that you think cannot do free motion can usually be given a disguise to make this possible.
There is no need for numerous fancy stitches.
·      The machines will be worked in free motion setting for some of the class.  A suitable foot should be brought to class, or a modification might be possible Karin is happy to discuss this. Karin has several free motion feet for Bernina and Pfaff machines for class use, contact her to book one.
Do I need any previous experience?
Certainly not.
For any other questions contact Karin at ioftheneedle@me.com to arrange for a chat


Karin is the recipient of a 2018 Saltspring Island Arts Council Grant.

She will bring elements of her current work on an adult puppet show to the workshop to help demonstrate the usefulness of the techniques learnt.
Skeletal creature - machine embroidery in space
Machine embroidery on waxed paper.
Register for the workshop here:-  Follow the instructions to obtain your ticket.
SALES OPEN FROM 3PM 22ND  FEBRUARY